Thursday, December 20, 2018
'Birdwood-fringe 2013 Essay\r'
'Birdwood-fringe 2013 consisted of many shows but the integrity that really caught my eye was ââ¬Å"The Terrible Infantsââ¬Â. The exemplify was cast with preliminary and current students who attend Birdwood High. Many, if not all bemuse had drama production background, working in schooling productions and the local theatre group TOTTS (Top of the Torrens) productions. Knowing these students, I expected to be wowed from the start and my expectations were not let down. Right from the start, any character was switched on, working as one, go as one. They knew where they were meant to be, what they were meant to be doing at all second. Every lights down they knew what props they needed to stash and did it with no noise.\r\nEven when one of the props werenââ¬â¢t collected or in their right go down individually character chipped in without it being observe by the audience to show/point/ ginger nut where the prop was. When the butcherââ¬Ës (Courtney Bryant-Leray) apron d idnââ¬â¢t go on as planned she liquid placed it onto her, even though it was on sideways. Ignoring she had it on wrong, she still went on with her lines and actions as though it was meant to be like that only fixing it when the spotlight was on a fellow cast member.\r\nThe whole solve in general was exciting. Using lighting changes e.g. greenish for the forest (Betrice survey) was very smart. Just changing the lights from atomic number 79 to green kinda of ending the scene, exhausting the lights off, compass up the scene so it looks like an certain forest would reach been time wasting and indeed at the actual end of the scene having to change form the lights off, put the forest set away thus getting the set back to normal would have been an even more waste of time, but instead they changed the set to a tree silhouette whilst the scene was in progress.\r\nThe atmosphere of the entire play was warming, and enjoyable, make the audience feel welcome, without even sayin g a word to them. We were always laughing, feeling each and both emotion the cast was portraying, when they had a funny moment, we laughed, we were in all probability laughing most of the time, except when it came to ââ¬Å" widget sonââ¬Â scene.\r\nThe scene Thingummy Boy was serious, the most piercing scene in the whole play. During the play each character was facing the audience, making their moves over exaggerated, they emphasize words that were needed, but in the scene of ââ¬Å"Thingummy Boyââ¬Â they faced away from the audience, not moving or making a sound. It made the scene, sad, and if it had more of a meaning then the other scenes. When they did turn to speak they had no exaggeration, no emphasis in their words, their faces were blank, no smiles yet no frowns. The scene was the one that impacted the audience the most.\r\nEven though the play wasnââ¬â¢t an original that the group wrote themselves, they made it their own, adding lines and victorious actions ou t. They put their own twist in every scene, in every character. It was a unique play, that was shown beautifully.\r\n'
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